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The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. His verse isn’t too shabby either he name-checks Rakim and nods to Miles. The cookie is used to store the user consent for the cookies in the category "Performance". Rocha does double-duty on 'Close Your Eyes', as his unmistakable voice is looped into El-P’s neck-breaking production. This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. However, there is an opportunity for dialogue and to change the way communities are policed in (the USA).” There is no neat solution at the end because there is no neat solution in the real world. Killer Mike of Run The Jewels added: “This video represents the futile and exhausting existence of a purgatory-like law enforcement system. “It’s provocative, and we all knew this, so we were tasked with making something that expressed the intensity of senseless violence without eclipsing our humanity.”
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We had to exploit the lyrics and aggression and emotion of the track, and translate that into a film that would ignite a valuable and productive conversation about racially motivated violence in this country. I felt a sense of responsibility to do just that. If you start watching, then make sure to watch until the end.Įxplaining the clip, Rojas said: “When Run The Jewels sent me this track, I knew we had the opportunity to create a film that means something. Without dialogue, and just through the subtleties of their choreographed movement, the piece moves away from realism and towards a theatrical space, adding new levels of complex meaning to the track’s outraged aggression. Rojas, who two years ago we put in our 25 New Faces list, directs this provocative video from Run the Jewels depicting a prolonged, punch-drunk, balletic street fight between a cop (Shea Whigham) and a young black man (Keith Stanfield).
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That we resonate with what we know to be right and we don't numb ourselves out so those feelings can simply be swept away, we must confront them and take some action, however small, or we’ll be stuck in the same cycle of violence and hate.A.G. Also see Camelot, duration, release date, label, popularity, energy. But I believe that it is important that the way we feel when we see these events in real life has an effect on us. Key & BPM for Close Your Eyes (And Count To Fuck) by Run The Jewels, Zack De La Rocha. Zack De La Rocha.Check out Run The Jewels perform 'Love A. It is tough to re-create moments that are so fresh and prevalent in our world today. It affected all of us in deep ways. Run The Jewels perform 'Close Your Eyes (And Count To Fuck)' at Pitchfork Music Festival 2015 feat. I can tell you it was an emotional shoot day. They breathed complex life into two people who are usually portrayed in simplistic ways-as archetypes.
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I am really proud of where we ended up, and I am very thankful that our actors Shea Whigham and Keith Stanfield committed to these characters 100%.
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Our goal was to highlight the futility of the violence, not celebrate it. Close Your Eyes (And Count To Fuck) Lyrics by Zack de la Rocha from the Run the Jewels 2 album - including song video, artist biography, translations and. The film begins and it feels like they have been fighting for days, they’re exhausted, not a single punch is thrown, their violence is communicated through clumsy, raw emotion. They've already fought their way past their judgments and learned hatred toward one another. I felt a sense of responsibility to do just that. We had to exploit the lyrics and aggression and emotion of the track, and translate that into a film that would ignite a valuable and productive conversation about racially motivated violence in this country. It's provocative, and we all knew this, so we were tasked with making something that expressed the intensity of senseless violence without eclipsing our humanity. For me, it was important to write a story that didn’t paint a simplistic portrait of the characters of the Cop and Kid. They're not stereotypes. They're people-complex, real people and, as such, the power had to shift between them at certain points throughout the story. When Run the Jewels sent me this, I knew we had the opportunity to create a film that means something.
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